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Lee Friedlander’s exploration of one of photography’s most enduring genres began almost by chance, in the late 1970s, when a teacher colleague at Rice University in Houston lined up a regular schedule of nude models for his students. Almost immediately, Friedlander found that he preferred to photograph the models at their homes, and ingeniously deployed household objects such as bedside lamps, potted plants and sofa fabrics to play off against the angular poses of the models and the emphatic framing of the overall composition. Friedlander’s nudes show every blemish, every contour that makes each body unique, while his flash often serves to counter this realism with a softening effect that often recedes the body’s shadow right up to its outline. With the publication of Friedlander’s nude portraits of Madonna (prints of which fetch huge sums), the series became among the photographer’s best known work, and eventually saw publication in 1991, from Jonathan Cape. Lee Friedlander: The Nudes significantly expands on the Cape edition (itself long out of print), with a total of 84 nudes, plus a new layout and design by Katy Homans and new separations by Thomas Palmer. As such, it offers the most lavish presentation of this key series in Friedlander’s massive oeuvre.Lee Friedlander (born 1934) first came to public attention in the landmark exhibition New Documents, at The Museum of Modern Art, New York, in 1967. More than 40 books about his work have been published since the early 1970s, including Self-Portrait, Sticks and Stones, Cherry Blossom Time in Japan, Family, America by Car, People at Work, The New Cars 1964 and Mannequin. His career was the focus of a major traveling retrospective organized by The Museum of Modern Art in 2005.
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Product details
Hardcover: 168 pages
Publisher: D.A.P./Distributed Art Publishers; 4.7.2013 edition (March 31, 2013)
Language: English
ISBN-10: 193892200X
ISBN-13: 978-1938922008
Product Dimensions:
10 x 1 x 10 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#685,420 in Books (See Top 100 in Books)
.... this reconsideration with the design treatment of Katy Homans adds her color and snap to what I consider an extended formal exercise by Friedlander. Funny to say, given the subject matter but I see much greater involvement and depth in his urban landscape and his treatment of fauna, in the natural environment and that cultivated. Yet, it is Friedlander and even with some debt to Brandt and Sheeler (surprisingly), the book is beautiful.
Great book
amazing work
"Nudes" by Friedlander was first published 2o years ago--this new expanded edition contains most if not all of the original pictures, plus a few more.As a healthy hetrosexual male, I've given up on trying to justify why I find naked women attractive, or why I find myself unable to look away from images of them, so I usually try to avoid looking at them. But these pictures are something more--female bodies, unretouched, glorious in their curves and blemishes. The women seem to be comfortable in front of the camera, like cats in the sun. While there isn't a whole lot of detail about how these pictures were made, in at least one picture, the reflection of another woman shows, indicating that even though the photographs were made in the homes of the young women, the sessions were, it appears, very much under controlled conditions. Worth remembering is Friedlander's interest in Bellocq, who photographed prostitutes in New Orleans a century ago--the women in these pictures are not accused of having loose morals--to the contrary, they appear very much in control of their own bodies, their own selves. Their bodies, lovely in their youth, are full of mystery. Pure Friedlander.
Lots of natural frames and breasts gave me a liking to this book.Women today have nothing on these natural girls next door,
the cover gives you an idea... but then inside is an other storydon't recommendi think the Lee is great, but not in this book
Beautiful collection of B/W photos of female models, up close and personal. Few look at the camera. Engaging. Includes some with sun tan lines which are delightful, all natural.
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