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- Sales Rank: #3093591 in Books
- Published on: 2014-07-16
- Original language: English
- Number of items: 1
- Dimensions: 9.29" h x .67" w x 6.33" l, .0 pounds
- Binding: Hardcover
- 158 pages
Review
In this reading of novels by Morrison, McCarthy, and Baldwin, Benson seeks to reframe cultural ideals of masculinity. He first articulates a connection between the rugged frontiersman of southern lore and the stereotypical black hypersexual male by understanding both as arising from rural southern white ideals of hypermasculinity. He then reads Morrison, Baldwin, and McCarthy as interrogating that hypermasculine identity through their protagonists, who refuse to perpetuate this identity and—by resisting—become ironic heroes. This seeming failure becomes, paradoxically, a space of revision whereby, Benson argues, one might find a new definition of black masculinity. . . .Summing Up: Recommended. . . .Graduate students, researchers, faculty. (CHOICE)
This book examines exaggerated masculinities in select novels by James Baldwin, Cormac McCarthy, and Toni Morrison. Defined by violence, racism, sexism, and homophobia that originated on the American frontier and transformed into a definition of “ideal” masculinity, the protagonists in these postwar American novels fail to perpetuate these hypermasculinities—and instead represent an ironic heroism that emerges in the narratives.
About the Author
Josef Benson is assistant professor of English at the University of Wisconsin Parkside. Benson’s cultural history, literary and theoretical criticism, fiction, poetry, and creative nonfiction have appeared in over twenty publications, including The Raymond Carver Review, The Journal of Bisexuality, The Adirondack Review, and Southwestern American Literature.
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